The Canadian Guitar Festival comes to Hugh’s Room – Don Ross, Jimmy Whalsteen & Jon Gomm
Event on 2012-08-02 20:30:00
Don Ross began playing guitar virtually by accident.
There was always a lot of music around the house. Don’s dad is an operatically-trained singer. So, the Ross kids heard plenty of voice exercises around their Montreal home as well as classical music on the record player growing up (not to mention the occasional blast of the bagpipes when Don’s dad felt like waking up the neighbours with another musical skill he acquired growing up in Scotland!). Don was a very musical child, teaching himself some basic piano skills in his early years. But at the age of eight, when Don’s sister came home from boarding school with an old Stella acoustic guitar, he knew he had met his new best friend. Immediately recognizing the portability and “cool factor” of the guitar, Don and his older brother began teaching themselves tunes by the Beatles, Cream, Led Zeppelin and Black Sabbath.
By the age of ten, Don was playing less with a pick and more with his fingers. He was fascinated by the possibility of playing several lines at once: melody, middle voices, bass line. To achieve some of the musical ideas he had in mind, he started retuning the guitar to suit them, inventing new tunings that made things easier at first. But he also realized that he could expand the range of the instrument to make the low strings lower and the high strings higher. The possibilities seemed almost endless.
He began playing publicly (and for money) in his hometown of Montreal at the age of 15. Fortunately he looked old enough to drink by then and even played occasionally at some of the downtown pubs that featured live acoustic music! Around the same time he discovered the music of legendary Canadian singer/guitarist Bruce Cockburn. Don was amazed that such an insightful lyricist could also be a tremendous guitarist. The musical future seemed very bright indeed. He was inspired to write his first strong instrumental tunes for solo guitar around this time.
Don eventually studied Music at Toronto’s York University. Strangely enough, he didn’t focus on guitar but rather on composition, electronic music, and sound recording. Upon graduating, he had visions of being a composer of orchestral and electronic music or film scores..certainly not any delusions of playing solo guitar for a living. What changed his mind was seeing the success of musicians like Michael Hedges, Steve Reich and Keith Jarrett, player/composers who followed their musical intuitions wherever they led and who fell more into the category of “artist” rather than “guitarist” or “pianist.”
After graduation, Don decided that the best forum for what he did as a composer would be to perform his guitar music himself. In 1988, he won the U.S. National Fingerstyle Guitar Competition. This earned him a fair amount of media attention back home in Canada, and within days he was scouted to record for Toronto-based independent record label Duke Street Records. He recorded his debut for the label, Bearing Straight, which was released in 1989. Two more recordings for the label followed, 1990’s Don Ross and 1993’s Three Hands. Don then signed withColumbia/Sony and recorded three more CDs for that label: This Dragon Won’t Sleep in 1995, Wintertide in 1996 and Loaded. Leather. Moonroof. in 1997. In the meantime, Don won the Fingerstyle competition in the USA for a second time in 1996. To this day, he is still the only player to have won the competition twice!
Signing with Narada Records in 1999, Don released his first completely solo-guitar CD, Passion Session. Recorded in a series of overnight sessions in Berlin’sPassionskirche (The Church of the Passion), the CD has gone on to top many of the “all time best acoustic guitar recordings” lists in publications like Acoustic Guitar Magazine. Some of the compositions on Passion Session, such as “Michael, Michael, Michael,” “Klimbim,” and “Tight Trite Night” have become standards in world guitar repertoire. Huron Street (2001) and Robot Monster (2003) followed, showcasing the depth of Don’s compositional history as well as his ongoing interest in electronic music, through collaborations with Berlin composer Christoph Bendel.
With the collapse of the conventional recording industry in the early 21st century, Don entered into a new venture with Milwaukee-based CandyRat Records and its founder, Rob Poland. The move to a completely internet-based model of releasing recordings resulted in the first ever CandyRat CD, 2005’s Music for Vacuuming. CandyRat has gone on to release recordings by dozens of international artists, primarily guitarists and songwriters. YouTube exposure has helped all of the CandyRat artists, and made an international star of Don’s good friend Andy McKee. Other recent projects Don has released in collaboration with CandyRat are Live in Your Head(2006), the thing that came from somewhere (2008, with Andy McKee), his all-vocal CD Any Colour (2009), the solo guitar albums Breakfast for Dogs! (2010) and Upright and Locked Position, as well as two performance DVDs: Don Ross Live and Live in Toronto (with Michael Manring and Andy McKee).
Don has toured regularly since 1989, across Canada, the USA, a dozen European countries, Japan, Taiwan, China, Australia, Russia and India. He has played with symphony orchestras in Canada and Germany, and collaborated live and on recording with Andy McKee, Canadian singer/guitarist Brooke Miller, & Toronto bassistJordan O’Connor. He also composes scores for television, radio and film, and does production and recording engineering for a variety of other musicians. In addition to acoustic guitar, Don also plays electric guitar, slide dobro and lapsteel guitar, voice, piano, keyboards, bass guitar and drums.
Don grew up in Montreal, lived for many years in the Toronto area, spent the last several years in Halifax, and now is based in both Montreal and Berlin.
Jimmy Wahlsteen plays guitar using his very own personal fingerpicking technique and sound over inovative open tunings.
The self produced instrumental album “181st Songs” contains multitrack recorded material with expressive guitar arrangements and brilliant guest musicians. The core of all songs is the acoustic guitar mixed and enhanced with percussion, strings and lots of additional guitars. The arrangements and productions of the songs are pop inspired. Jimmy leaves the fusion genre unexplored and brings his inspiration in songwriting from artists like Paul Simon and John Martyn.
Jimmy Wahlsteen made his name being one of Swedens most hired session musicians, frequently appearing on swedish television as musical director and band member on numerous television shows and touring international artists.
“181st Songs” voted in the top 25 Essential Echoes CDs for 2010, by John Diliberto and the Echoes radio show staff.
Jon Gomm is an acoustic singer-songwriter with an incredible virtuoso guitar style, where he uses one acoustic guitar to create drum sounds, basslines and sparkling melodies all at the same time, and combining styles from blues and jazz to rock and pop. The emphasis is still on the soulful vocals and songwriting however, and his original material is influenced by everything from Robert Johnson to Radiohead.
Jon first laid his hands on a guitar at the age of two (actually it was a ukulele – his parents couldn’t find a guitar small enough). He started taking classical guitar lessons, wrote his first song at the age of six, and at twelve he was accompanying his father, a music critic, to blues gigs in his hometown of Blackpool. Touring musicians would often stay at the Gomm household on the understanding Jon would get a guitar lesson, meaning he had one-to-one instruction from such legends as Walter Trout, Bob Brozman, Sherman Robertson and Norman Beaker (Jack Bruce band).
On leaving school Jon turned down a place at Oxford University to attend The Guitar Institute in London. While there he paid his way through college playing jazz in café-bars, recording as a session guitarist, and even playing Country & Western in working mens clubs for line-dancers.
Eventually he heard the call of the north and moved to Leeds, where he is now based, to study on the Jazz degree course at the music college there. He decided to try his hand at performing solo, and discovered all kinds of new sounds he could make with an acoustic guitar – hitting the surface of it to make snare drum, bass drum and bongo sounds, re-tuning the strings to get bass sounds, and teasing high harmonics from the guitar for synthesizer-like effects. He worked all these techniques into his own songs, and put his years of singing blues into use.
Nowadays he tours Europe, playing at festivals from Rome to Athens, has a huge cult following and is regarded by those in the know as one of the world’s most talented and innovative acoustic guitarists. Even with only one CD so far released he is already cited as an influence by many other performers. His videos are watched thousands of times within days of appearing on Youtube, and his home-recorded CD “Hypertension” has sold over ten thousand copies with no industry backing.
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at Hugh’s Room
2261 Dundas Street West
Toronto, Canada
